Bibliography

Bibliography

Bibliography Esteban Vicente

In 1936 he moved to New York City, directed solely to the personal pursuit of painting, supporting himself when necessary by teaching. Involved in the climate, physicality and passion of the 1950s, Vicente's work established him as

Vicente was lured to Paris in 1927, inspired and challenged by the excitement of the city's moderwn artistic activity. In 1936 he moved to New York City, directed solely to the personal pursuit of painting, supporting himself when necessary by teaching. Involved in the climate, physicality and passion of the 1950s, Vicente's work established him as an integral part of the New York School. The energy of the 1950s through 2000 expresses itself in the quality and focus of his painting, collage, drawing and sculpture.

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  • Abel, Lionel, "Scenes from the Cedar Bar”, Commentary, Vol.74, #6, December, 1982, p.42.
  • Abril, Manuel, "Cronica de Arte: Esteban Vicente y Segura Ezquerro", Revista de Las Espanas, September-October, 1931, p.446.
  • Abril, Manuel, "Cronica de Arte: Esposiciones Varias", Revista de Las Espanas, Marzo, 1928, pp.90,93.
  • "Abstract Drawings and Watercolors: USA", O Estado de Sao Paulo, Sao Paulo Bienale Brazil, May 27, 1962.
  • Abstract Expressionists, Baltimore Museum of Art, 1953.
  • Abstractions”, The New York Times, Sunday, January 30, 2000.
  • Acton, David, The Stamp of Impulse Abstract Expressionist Prints, Worcester Art Museum, Worcester, MA, 2001, pp.16,17,208,263, illus. p.209.
  • Alcaide, Victor Nieto, “El Orden de Color”, Esteban Vicente Obras 1950-1997, Casa del Cordon, Burgos, Spain, 2003, pp.13-19.
  • Alicante, R.G., "Tapies, Antonio Saura y Esteban Vicente", La Verdad October 21, 1994.
  • Alloway, Lawrence, "Art", The Nation, February 15, 1975, p.189.
  • Alloway, Lawrence, "Here it is", Art News and Review, November 22, 1958, p.8. 1964.
  • "Along Madison Avenue", The New York Herald Tribune, January 11,
  • Alvaro, Carlos A., “La Escuela de Nueva York homenajea a Esteban Vicente en su museo segoviano”, El Norte de Castilla, Miercoles, 8 de Octubre de 2003, pp.2- 3.
  • Alvaro, Carlo A., “Un museo con tiron”, El Norte de Castilla, Miercoles, 8 de Octubre de 2003, p.4.
  • American Art in the Newark Museum, The Newark Museum, NJ, 1981, p.389,illus. p.225.
  • American Collages, (Organized by the Museum of Modern Art, New York), Kunstnernes Hus, Oslo, and Liljevalchs, Stockholm, p.14, entries #46-49, illus. #46.
  • American Tapestries, Charles E. Slatkin Galleries, Inc., New York, 1968, pp.42,77, illus. p.43.
  • The Americans: The Collage, Contemporary Arts Museum, Houston, TX, 1982, pp.37,132-133, illus. p.98.
  • Anderson, Wayne, American Sculpture in Process: 1930-1970, New York Graphic Society, Boston, MA, 1975, p.86.
  • Anderson, Web, "A Rare Opportunity for a Local Public", The Sunday Star-Bulletin
  • Advertiser, Honolulu, HI, March 2, 1969, p.25.
  • Annual Exhibition 1950 Contemporary American Painting, The Whitney Museum of
  • American Art, New York, entry #147, index entry #23.
  • Annual Exhibition 1959 Sculpture, Painting, Watercolor, Drawing, The Whitney
  • Museum of American Art, New York, entry #166.
  • Annual Exhibition 1961 Contemporary American Painting, The Whitney Museum of
  • American Art, New York, entry #131, illustrated.
  • Annual Exhibition 1962 Sculpture and Drawings, The Whitney Museum of American Art, New York, entry #181.
  • Annual Exhibition 1963 Contemporary American Painting, The Whitney Museum of
  • American Art, New York, entry #137.
  • Annual Exhibition 1967 Contemporary Painting, The Whitney Museum of American Art, New York, p.13, entry #146.
  • Arnason, H.H., History of Modern Art, 3rd Edition, Harry N. Abrams, New York, 1986, p.394.
  • Arnason, H.H., "Introduction", Abstrakte Amerikanische Malerei, Landesmuseum, Darmstadt, West Germany, 1960, unpaginated, illus.
  • Arnason, H.H., "Introduction", American Abstract Expressionists and Imagists, The Solomon R. Guggenheim Museum, New York, 1961, pp. 23,28,130, illus. p.80, biographical entry #62.
  • Arnason, H.H., "Introduction", American Vanguard, United States Information Agency, Yugoslavia, 1961-1962, p.4, entry #83,84.
  • Arnason, H.H., 60 American Painters 1960, The Walker Art Center, Minneapolis, MN, pp.23,53,77, illus. #59, p.44.
  • Arnaldo, Javier, “Toys, painting in the playroom” Toys Esteban Vicente. Sculpture 1968- 1998, Museo de arte Contemporaneo Esteban Vicente, Segovia, Spain, 2002, pp.17-31.
  • "Art Academy Exhibits Esteban Vicente Work", Waikiki Beach Press, February 21-23, 1969, p.36.
  • "Art Dialogue at the Parrish", Dan's Papers, Bridgehampton, NY, October 5, 1990, p.20.
  • "Art: Esteban Vicente", The New York Herald Tribune, December 10, 1939.
  • "The Art Galleries", The New Yorker Magazine, May 4, 1963, p.168.
  • Art International, Vol.VII/10, January 16, 1964, cover illus.
  • Art News, Vol.55, #10, February, 1957, p.5, cover illus.
  • "Art News International: Artists in the art news", Art News, Vol.59, September, 1960, p.7.
  • "Art News International: Artists in the art News", Art News, Vol.62, #1, 1963, p.54.
  • Art Now/Southwest, The Gallery Guide, March, 1984, cover illus.
  • Art on Paper 1966, Weatherspoon Gallery Association, The University of North Carolina at Greensboro, 1966, entry #186.
  • Art Since 1950, Seattle World's Fair, 1962, p.54, illus. p.57.
  • Art Train, East End Arts and Humanities Council, Riverhead, NY, 1974-1975, entry #25.
  • "Art Trend Confuses Artist", The Daily Tribune, Royal Oak, MI, Wednesday, November 13, 1968, p.6.
  • Arte Americana Contemporanea, Civici Musei e Gallerie di Storia e Arte, Instituto per l'Enciclopedia del Friuli, Venezia Guilia, Comune di Udine, 1980, p.158, illus. p.158.
  • Arte en Espana 1918-1994, Alianza Editorial, S.A., Madrid, 1995, pp.19,29,34,44,455- 456,468, illus. pp.153,154,248,399,400.
  • "Artist Esteban Vicente Honored by Spanish Government", Antiques and The Arts Weekly, April 19, 1991, p.18.
  • "Artists and Writers Go at Each Other", Southampton Summer Day, Tuesday, August 19, 1975, p.11.
  • Artists of the Hamptons Paintings and Sculptures, Guild Hall, East Hampton, NY, 1975, illus. entry #81.
  • Artists of Suffolk County Part IV Contemporary Prints, Heckscher Museum, Huntington, NY, 1972, illus. p.19. "Arts and Letters: Esteban Vicente", The East Hampton Star, January 21, 1993, photograph of the artist with caption.
  • Ashbery, John, "Absence and Illusion", Art News, May, 1972, pp.32, 60-62, illus. pp.32- 33.
  • Ashbery, John, "Art: Esteban Vicente", New York Magazine, November 5, 1979.
  • Ashbery, John, "Still Lives", New York Magazine, December 3, 1979, p.94.
  • Ashbery, John, Reported Sightings: Art Chronicles 1957-1987, Alfred A Knopf, New York, 1989, pp.203-208.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 74, #3, March, 1957, p.8, illus. p.8.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 75, #4, April, 1958, p.32, illus. p.8.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 76, #2, February, 1959, pp.10,31, illus. p.10.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 77, #2, February, 1960, pp.4-6, illus. p.4.
  • Ashton, Dore, "Art: Collages are Shown in Exhibition", The New York Times, Thursday, January 1, 1959.
  • Ashton, Dore, "de Kooning's Verve. New York Commentary", The Studio, Vol. 163, #830, June, 1962, pp.217,224, illus. p.217.
  • Ashton, Dore, "Expresionismo Abstracto", La Revista Arquetectura de la Cuidad de Mexico, Vol. 1, 1959, p.54, illus. p.51.
  • Ashton, Dore, "Forward", New York and Paris Painting in the Fifties, The Museum of Fine Arts, Houston, TX, 1959, unpaginated, illus.
  • Ashton, Dore, "Introduction", Abstract Drawings and Watercolors U.S.A., Museum of Modern Art, Rio de Janeiro, Brazil, 1962, unpaginated, illus. p.73.
  • Ashton, Dore, "Introduction", Modern Masters in Miniature and Graphics from Cubism to Op From the Kay Hillman Collection, American Federation of the Arts, New York, 1966, p.12, entry #21.
  • Ashton, Dore, "La Signature Americaine", XXe Siecle, Vol. 10, March, 1958, p.64, illus. p.64.
  • Ashton, Dore, "Lettre de New York", Cimaise, quatrieme serie, #4, Mars-Avril, 1957, p.29.
  • Ashton, Dore, "Lettre de New York", Cimaise, cinquieme serie, #4, Mars-Avril, 1958, pp.31-32, illus. p.30.
  • Ashton, Dore, The New York School A Cultural Reckoning, Viking Compass Books, New York, 1973, p.212.
  • Ashton, Dore, "On The Way to the Fair. New York Commentary", Studio International, Vol. 168, #857, September, 1964, p.119.
  • Ashton, Dore, "Perspective de la peinture Americaine", Cahiers d'Art, Vol. 33-35, 1960, p.216, illus. pp.205,216.
  • Ashton, Dore, "Recent Paintings at Andre Emmerich Gallery", The Studio, Vol.163, #830, June, 1962, pp.217,224.
  • Ashton, Dore, “Some Lyricists in the New York School”, Art News and Review, November 22, 1958, p.3, illus. p.3.
  • Ashton, Dore, "Spanish Expressions…”, Art Digest, Vol. 27, #9, February 1, 1953, p.13.
  • Ashton, Dore, The Unknown Shore A View of Contemporary Art, Little, Brown, and Co.
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