Bibliography

Bibliography

Bibliography Esteban Vicente

In 1936 he moved to New York City, directed solely to the personal pursuit of painting, supporting himself when necessary by teaching. Involved in the climate, physicality and passion of the 1950s, Vicente's work established him as

Vicente was lured to Paris in 1927, inspired and challenged by the excitement of the city's moderwn artistic activity. In 1936 he moved to New York City, directed solely to the personal pursuit of painting, supporting himself when necessary by teaching. Involved in the climate, physicality and passion of the 1950s, Vicente's work established him as an integral part of the New York School. The energy of the 1950s through 2000 expresses itself in the quality and focus of his painting, collage, drawing and sculpture.

Sections
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A

  • Abel, Lionel, "Scenes from the Cedar Bar”, Commentary, Vol.74, #6, December, 1982, p.42.
  • Abril, Manuel, "Cronica de Arte: Esteban Vicente y Segura Ezquerro", Revista de Las Espanas, September-October, 1931, p.446.
  • Abril, Manuel, "Cronica de Arte: Esposiciones Varias", Revista de Las Espanas, Marzo, 1928, pp.90,93.
  • "Abstract Drawings and Watercolors: USA", O Estado de Sao Paulo, Sao Paulo Bienale Brazil, May 27, 1962.
  • Abstract Expressionists, Baltimore Museum of Art, 1953.
  • Abstractions”, The New York Times, Sunday, January 30, 2000.
  • Acton, David, The Stamp of Impulse Abstract Expressionist Prints, Worcester Art Museum, Worcester, MA, 2001, pp.16,17,208,263, illus. p.209.
  • Alcaide, Victor Nieto, “El Orden de Color”, Esteban Vicente Obras 1950-1997, Casa del Cordon, Burgos, Spain, 2003, pp.13-19.
  • Alicante, R.G., "Tapies, Antonio Saura y Esteban Vicente", La Verdad October 21, 1994.
  • Alloway, Lawrence, "Art", The Nation, February 15, 1975, p.189.
  • Alloway, Lawrence, "Here it is", Art News and Review, November 22, 1958, p.8. 1964.
  • "Along Madison Avenue", The New York Herald Tribune, January 11,
  • Alvaro, Carlos A., “La Escuela de Nueva York homenajea a Esteban Vicente en su museo segoviano”, El Norte de Castilla, Miercoles, 8 de Octubre de 2003, pp.2- 3.
  • Alvaro, Carlo A., “Un museo con tiron”, El Norte de Castilla, Miercoles, 8 de Octubre de 2003, p.4.
  • American Art in the Newark Museum, The Newark Museum, NJ, 1981, p.389,illus. p.225.
  • American Collages, (Organized by the Museum of Modern Art, New York), Kunstnernes Hus, Oslo, and Liljevalchs, Stockholm, p.14, entries #46-49, illus. #46.
  • American Tapestries, Charles E. Slatkin Galleries, Inc., New York, 1968, pp.42,77, illus. p.43.
  • The Americans: The Collage, Contemporary Arts Museum, Houston, TX, 1982, pp.37,132-133, illus. p.98.
  • Anderson, Wayne, American Sculpture in Process: 1930-1970, New York Graphic Society, Boston, MA, 1975, p.86.
  • Anderson, Web, "A Rare Opportunity for a Local Public", The Sunday Star-Bulletin
  • Advertiser, Honolulu, HI, March 2, 1969, p.25.
  • Annual Exhibition 1950 Contemporary American Painting, The Whitney Museum of
  • American Art, New York, entry #147, index entry #23.
  • Annual Exhibition 1959 Sculpture, Painting, Watercolor, Drawing, The Whitney
  • Museum of American Art, New York, entry #166.
  • Annual Exhibition 1961 Contemporary American Painting, The Whitney Museum of
  • American Art, New York, entry #131, illustrated.
  • Annual Exhibition 1962 Sculpture and Drawings, The Whitney Museum of American Art, New York, entry #181.
  • Annual Exhibition 1963 Contemporary American Painting, The Whitney Museum of
  • American Art, New York, entry #137.
  • Annual Exhibition 1967 Contemporary Painting, The Whitney Museum of American Art, New York, p.13, entry #146.
  • Arnason, H.H., History of Modern Art, 3rd Edition, Harry N. Abrams, New York, 1986, p.394.
  • Arnason, H.H., "Introduction", Abstrakte Amerikanische Malerei, Landesmuseum, Darmstadt, West Germany, 1960, unpaginated, illus.
  • Arnason, H.H., "Introduction", American Abstract Expressionists and Imagists, The Solomon R. Guggenheim Museum, New York, 1961, pp. 23,28,130, illus. p.80, biographical entry #62.
  • Arnason, H.H., "Introduction", American Vanguard, United States Information Agency, Yugoslavia, 1961-1962, p.4, entry #83,84.
  • Arnason, H.H., 60 American Painters 1960, The Walker Art Center, Minneapolis, MN, pp.23,53,77, illus. #59, p.44.
  • Arnaldo, Javier, “Toys, painting in the playroom” Toys Esteban Vicente. Sculpture 1968- 1998, Museo de arte Contemporaneo Esteban Vicente, Segovia, Spain, 2002, pp.17-31.
  • "Art Academy Exhibits Esteban Vicente Work", Waikiki Beach Press, February 21-23, 1969, p.36.
  • "Art Dialogue at the Parrish", Dan's Papers, Bridgehampton, NY, October 5, 1990, p.20.
  • "Art: Esteban Vicente", The New York Herald Tribune, December 10, 1939.
  • "The Art Galleries", The New Yorker Magazine, May 4, 1963, p.168.
  • Art International, Vol.VII/10, January 16, 1964, cover illus.
  • Art News, Vol.55, #10, February, 1957, p.5, cover illus.
  • "Art News International: Artists in the art news", Art News, Vol.59, September, 1960, p.7.
  • "Art News International: Artists in the art News", Art News, Vol.62, #1, 1963, p.54.
  • Art Now/Southwest, The Gallery Guide, March, 1984, cover illus.
  • Art on Paper 1966, Weatherspoon Gallery Association, The University of North Carolina at Greensboro, 1966, entry #186.
  • Art Since 1950, Seattle World's Fair, 1962, p.54, illus. p.57.
  • Art Train, East End Arts and Humanities Council, Riverhead, NY, 1974-1975, entry #25.
  • "Art Trend Confuses Artist", The Daily Tribune, Royal Oak, MI, Wednesday, November 13, 1968, p.6.
  • Arte Americana Contemporanea, Civici Musei e Gallerie di Storia e Arte, Instituto per l'Enciclopedia del Friuli, Venezia Guilia, Comune di Udine, 1980, p.158, illus. p.158.
  • Arte en Espana 1918-1994, Alianza Editorial, S.A., Madrid, 1995, pp.19,29,34,44,455- 456,468, illus. pp.153,154,248,399,400.
  • "Artist Esteban Vicente Honored by Spanish Government", Antiques and The Arts Weekly, April 19, 1991, p.18.
  • "Artists and Writers Go at Each Other", Southampton Summer Day, Tuesday, August 19, 1975, p.11.
  • Artists of the Hamptons Paintings and Sculptures, Guild Hall, East Hampton, NY, 1975, illus. entry #81.
  • Artists of Suffolk County Part IV Contemporary Prints, Heckscher Museum, Huntington, NY, 1972, illus. p.19. "Arts and Letters: Esteban Vicente", The East Hampton Star, January 21, 1993, photograph of the artist with caption.
  • Ashbery, John, "Absence and Illusion", Art News, May, 1972, pp.32, 60-62, illus. pp.32- 33.
  • Ashbery, John, "Art: Esteban Vicente", New York Magazine, November 5, 1979.
  • Ashbery, John, "Still Lives", New York Magazine, December 3, 1979, p.94.
  • Ashbery, John, Reported Sightings: Art Chronicles 1957-1987, Alfred A Knopf, New York, 1989, pp.203-208.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 74, #3, March, 1957, p.8, illus. p.8.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 75, #4, April, 1958, p.32, illus. p.8.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 76, #2, February, 1959, pp.10,31, illus. p.10.
  • Ashton, Dore, "Art", Arts and Architecture, Vol. 77, #2, February, 1960, pp.4-6, illus. p.4.
  • Ashton, Dore, "Art: Collages are Shown in Exhibition", The New York Times, Thursday, January 1, 1959.
  • Ashton, Dore, "de Kooning's Verve. New York Commentary", The Studio, Vol. 163, #830, June, 1962, pp.217,224, illus. p.217.
  • Ashton, Dore, "Expresionismo Abstracto", La Revista Arquetectura de la Cuidad de Mexico, Vol. 1, 1959, p.54, illus. p.51.
  • Ashton, Dore, "Forward", New York and Paris Painting in the Fifties, The Museum of Fine Arts, Houston, TX, 1959, unpaginated, illus.
  • Ashton, Dore, "Introduction", Abstract Drawings and Watercolors U.S.A., Museum of Modern Art, Rio de Janeiro, Brazil, 1962, unpaginated, illus. p.73.
  • Ashton, Dore, "Introduction", Modern Masters in Miniature and Graphics from Cubism to Op From the Kay Hillman Collection, American Federation of the Arts, New York, 1966, p.12, entry #21.
  • Ashton, Dore, "La Signature Americaine", XXe Siecle, Vol. 10, March, 1958, p.64, illus. p.64.
  • Ashton, Dore, "Lettre de New York", Cimaise, quatrieme serie, #4, Mars-Avril, 1957, p.29.
  • Ashton, Dore, "Lettre de New York", Cimaise, cinquieme serie, #4, Mars-Avril, 1958, pp.31-32, illus. p.30.
  • Ashton, Dore, The New York School A Cultural Reckoning, Viking Compass Books, New York, 1973, p.212.
  • Ashton, Dore, "On The Way to the Fair. New York Commentary", Studio International, Vol. 168, #857, September, 1964, p.119.
  • Ashton, Dore, "Perspective de la peinture Americaine", Cahiers d'Art, Vol. 33-35, 1960, p.216, illus. pp.205,216.
  • Ashton, Dore, "Recent Paintings at Andre Emmerich Gallery", The Studio, Vol.163, #830, June, 1962, pp.217,224.
  • Ashton, Dore, “Some Lyricists in the New York School”, Art News and Review, November 22, 1958, p.3, illus. p.3.
  • Ashton, Dore, "Spanish Expressions…”, Art Digest, Vol. 27, #9, February 1, 1953, p.13.
  • Ashton, Dore, The Unknown Shore A View of Contemporary Art, Little, Brown, and Co.
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Section Text

B

  • Bailey, Patricia, "Vintage Art After Thirty", Art/World, November, 1983, Vol. 8, No. 2, o p.5, artist group photograph.
  • Balague, Menene Gras, "El color como figura del silencio", La Vanguardia, Barcelona, Spain, April 26, 1988.
  • Barnatan, Marcos-Ricardo, ''Hubo un jardin o fue el jardin un sueno?", Esteban Vicente Pinturas 1951-1998, Galeria Elvira Gonzalez, Madrid, Spain, November 11, 1998-January 10, 1999, pp.7-8, 75-76.
  • Barnatan, Marco B., "La alegria de crear", El Mundo, Madrid, March 1, 1996, illus.
  • Barnatan, Marcos Ricardo, "Una recuperacion", El Mundo, Cultura Espectaculor, Jueves 5 de Octubre de 1995, p.61, photograph.
  • Barr, Alfred, H., Jr., Painting and Sculpture in the Museum of Modern Art 1929-1967, The Museum of Modern Art, New York, 1977, p.95, illus. p.382.
  • B.B., "Esteban Vicente", Arts Magazine, December, 1958, p.57.
  • Beals, Kathie, "The 80s...a golden age for artists", Gannett Papers, Southern Connecticut and Westchester County, October 26, 1984.
  • Beckner, R. Bruce, "The Flourishing State of the Arts", Princeton Alumni Weekly, May 4, 1971, p.9.
  • Beller, Thomas, "At The Galleries: Celebrating Vicente", The New Yorker Magazine, February 15, 1993, p.46-47, illus. p.47.
  • "Benefit: Writers Down the Artists", The East Hampton Star, East Hampton, NY, August 15, 1968.
  • Benezit, E., Dictionnaire des Peintures, Sculpteurs, Nouvelle Edition, Librairie Grund, Paris, France, 1976, Tome #10, p.490.
  • Bensley, Lis, "Esteban Vicente: At Age 93, 'I paint to paint' ", Pasatiempo, Santa Fe, NM, January 12-18, 1996.
  • Berman, Avis, "When Artists Grow Old", Art News, Vol. 82, #10, December, 1983, pp.77,79,81-83.
  • "Berry-Hill shows Recent Works by Esteban Vicente", Antiques and The Arts Weekly, February 24, 1989.
  • Biddle, George, The Yes and No of Contemporary Art, Harvard University Press, Cambridge, MA, 1957, pp.108,109.
  • Bonet, Juan Manuel, Diccionario de las Vanguardias en Espana (1907-1936), Alianza Editorial, Madrid, 1995.
  • Bonet, Juan Manuel, "Esteban Vicente: Exposicion en Madrid del pintor espanol de la Escuela Nueva York", Diario16, Madrid, Spain, April 7, 1988, p.30.
  • Bonet, Juan Manuel, ""El pintor en su entorno Esteban Vicente Atmosferas Coloreadas", Blanco y Nero, May 20, 1990, pp.58-62, illus. pp.60-62.
  • Bonet, Juan Manuel, “Luz entera: Esteban Vicente y sus contemporaneos, 1918-1936”, Luz Entera Esteban Vicente y Sus Contemporaneos 1918-1936, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain, 2003, pp.19-42, illus. with iphotographs.
  • Braff, Phyllis, “Drawings: Reflection of 40's, 50's", The New York Times, Long Island Section, Sunday, September 11, 1988.
  • Braff, Phyllis, "Esteban Vicente", The New York Times, Long Island Section, Sunday, September 10, 1995, p.18.
  • Braff, Phyllis, "From The Studio", The East Hampton Star, East Hampton, NY, July 19, 1979, Section II, p.7, illus.
  • Braff, Phyllis, "From The Studio", The East Hampton Star, East Hampton, NY, July 30, 1981, Section II, p.9.
  • Braff, Phyllis, "From The Studio", The East Hampton Star, East Hampton, NY, January 13, 1983, Section II, p.5.
  • Braff, Phyllis, "Lively East End Shows", The New York Times, Long Island Section, Sunday, September 1, 1985, p.21.
  • Braff, Phyllis, "The Double Appeal Drawings Create", The New York Times, Long Island Section, Sunday, October 7, 1990, p.23.
  • "Breakaway Art School", Newsweek, June 9, 1969, p.121.
  • Brenson, Michael, "Art: Annual Exhibition At Academy of Design", The New York Times, Friday, February 15, 1985.
  • Brenson, Michael, "Art People", The New York Times, Friday, February 8, 1985, Section C, p.18.
  • Brenson, Michael, "Studio School True to Itself", The New York Times, February 25, 1983, p.C18.
  • Brian, Doris, "The Passing Shows: Vicente", Art News, Vol. 40, #5, April 15, 1941, p.28, illus. p.28.
  • Bridson, Susan, "Vicente's collages at gallery for his ninetieth birthday", Three Village Herald, Stony Brook, NY, January 13, 1993.
  • Brown, Doris, "Artist Rejects Chance to Show Newest Work", The Sunday Home News, New Brunswick, NJ, March 1, 1970, Section C, p.12.
  • Brumer, Miriam, "In the Galleries: Esteban Vicente", Arts Magazine, Vol. 44, #1, September/October, 1969, p.56.
  • Bryans, Raleigh, "Pop and Op Deplored by Spanish Artist", The Atlanta Journal, Saturday, April 10, 1985, p.14.
  • Bulletin, Weatherspoon Gallery Association, The University of North Carolina at Greensboro, 1972, p.4.
  • Bulletin, Weatherspoon Gallery Association, The University of North Carolina at Greensboro, 1973-1974, p.11.
  • Burrows, Carlyle, "New Talent Show Reflects Art Progress", The New York Herald Tribune, Sunday, April 30, 1950.
  • Butler, B., "Monet & Others", Art International, Vol. 4, May, 1960.
  • Butler, Hiram Carruthers, "Downtown in the Fifties", Horizon, Vol. 24, #6, June, 1981, pp.15,26, illus. p.26.
  • Bryne, John, "Esteban Vicente dona 90 obras para su futuro museo en Segovia", El Mundo, Martes 20 de Mayo de 1997, p.58.
Section Label
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C

  • C.A.A., “Me emociona volver aqui”, El Norte de Castilla, Miercoles, 8 de Octubre de 2003, p.3.
  • Campbell, Lawrence, "Esteban Vicente at Gruenebaum", Art in America, Vol. 71, #5, May, 1983, p.168, illus. p.168.
  • Campbell, Lawrence, "Reviews and Previews: Esteban Vicente", Art News, Vol. 50, #7, Part I, November, 1951, p.47, illus. p.47.
  • Campbell, Lawrence, "Reviews and Previews: Esteban Vicente: Drawings and Collages", Art News, March, 1953, p.39.
  • Campbell, Lawrence, 'Reviews and Previews: Esteban Vicente", Art News, Vol. 62, #9, January, 1964, p.11, illus. p.11.
  • Campbell, Lawrence, "Reviews and Previews: Esteban Vicente", Art News, Vol. 68, #6, October, 1969, p.72, illus. p.12.
  • Campbell, Lawrence, "Reviews and Previews: NYU Art Faculty", ArtNews, Vol. 57, #9, January, 1959, p.16.
  • Canaday, John, "Art: Results of a Foreign Study Program", The New York Times, September 27, 1969, p.27.
  • Canaday, John, "U.S.A., Current and Revived", The New York Times, Sunday, April 30, 1961, Art Section.
  • Cardona, Leo, "Abstract Drawings and Watercolors: U.S.A.", El Panama-America, Panama, R. de P., Sunday Supplement, March 24,1963.
  • Castano, Adolfo, "Espanoles en Nueva York", ABC, October 13, 1988, p.19, illus.
  • Cherry, Herman, "Album: Edvins Strautmanis", Arts Magazine, November, 1982, Vol. 57, #3, p.47.
  • Chipp, Herschel B., "Art News from San Francisco", Art News, Vol. 55, #1, March, 1956, p.73.
  • Chiu, James K., "Esteban Vicente's Abstract Mood", The Daily Princetonian, Vol. XCIV, No. 113, Friday, November 13, 1970, unpaginated, illus.
  • "Chronicle: Spain honors Esteban Vincente (sic), artist", The New York Times, Saturday, o July 6, 1991, p.22.
  • Clarkson, Austin, On the Music of Stefan Wolpe, Pendragon Press, Hillsdale, NY, 2003, pp.20,107,109,110,339, cover illus.
  • Clemente, Jose Luis, "Explosion de Color Esteban Vicente", Posdata, Levante, El Mercantil Valenciano, 27 Octubre 1995, p.5.
  • Clothier, Peter, "Profile: Esteban Vicente: The Real What-Is-There", Visions, Summer, 1992, p.55.
  • Coe, Kathryn, "Vicente: A Master of Color", Scottsdale Daily Progress-Weekend, Friday, April 9, 1982, p.26.
  • Coleccion Amigos del Centro de Arte Reina Sofia, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, 1989, pp.230-231, color illus.
  • Coleccion Arte Contemporaneo, Association “Coleccion Arte Contemporaneo”, Madrid, 1991, pp.15,123,125,304,306,308,496,503, illus. pp.305,307,309.
  • Coleccion Municipal de arte contemporaneo Pintura y Escultura, Ayuntamiento de Madrid, May, 1999, pp.32,299, illus. p.256.
  • "Collage Tapestries", The New York Times, Thursday, September 15, 1983, p.C5.
  • Collages by American Artists, Ball State University, Muncie, IN, October, 1971, illus.
  • "Collage by Vincente" (sic), Albuquerque News, January 31, 1979.
  • "Collection of Epstein at College", The Sun, Baltimore, MD, Sunday Morning, January 13, 1963, Section A, p.8.
  • Collection of Mr. and Mrs. Ben Heller, The Museum of Modern Art, New York, 1961, illus.
  • Contemporary American Painting, Columbus Gallery of Fine Arts, Columbus, OH, 1960, entry #49.
  • Contemporary American Painting and Sculpture 1953, Krannert Art Museum, The University of Illinois, unpaginated.
  • Contemporary American Painting and Sculpture 1962, Krannert Art Museum, The University of Illinois, unpaginated.
  • Contemporary American Painting and Sculpture 1963, Krannert Art Museum, The University of Illinois, p.191, illus. p.191.
  • “Contemporary Artists at the Met”, Travel & Leisure, February, 1984, photograph by Arnold Newman, p.60.
  • "Contemporary Drawings", Arts Magazine, Vol. 33, #3, December, 1958, p.39, illus. p.39.
  • Contemporary Spanish Drawings, Schaeffer Galleries, New York, 1953, unpaginated.
  • Cooper, James F., "Vicente at Gruenebaum", Art/World, New York, Friday, February 11, 1983.
  • Copplestone, Trewin, "Some London Moderns", Pictures on Exhibit, April, 1962, p.62.
  • Corral, Pedro, "La Pinturade hoy es una calamidad", ABC, Madrid, Sunday, June 3, 1994, p.63.
  • Corres, Antonio Bonet, “Modernity and Tradition in Esteban Vicente”, Zubaran, Juan Gris, Esteban Vicente, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain, 2003, pp.17-45.
  • Cortright, Barbara, "Hue Harmonies in Vicente Works with Colorful, Glowing Abstractions", Scottsdale Daily Progress-Weekend, Friday, April 2, 1982.
  • Costa, Jose Manuel, "Esteban Vicente", ABC, May 7, 1987, p.137, illus.
  • Cowles, Claude C., "Earl Kerkham", Kresge Art Center Bulletin, Vol. VI, #7, Michigan State University, April, 1973, pp.8,11,13,16.
  • Crespelle, J.P., Montparnasse Vivant, Librairie Hachette, 1962, p.303.
  • "Critical Guide to the Galleries: Esteban Vicente", The New York Herald Tribune, Saturday, November 22, 11965.
  • Cummings, Mary, "The Arts: Art for the Head and Heart", The Southampton Press, Southampton, NY, Thursday, January 17, 1991, p.B1.
  • Cummings, Mary, "Critic at Large: News Shows at Guild Hall", The Southampton Press, Southampton, NY, Thursday, April 30, 1992, p.B2.
  • Cummings, Mary, "Chatterbox: Esteban Vicente", The Southampton Press, Southampton, NY, January 28, 1993, p.15.
  • Cummings, Mary, "Critic at Large: Three Hamptonians Are Honored in New York", The Southampton Press, December 16, 1993.
  • Cummings, Paul, Dictionary of Contemporary American Artists, 4th Edition, St. Martins Press, New York, 1982, pp.19,571.
  • Cuspinera, Elisabeth, "Esteban Vicente, un Joven Pintor de 93 Anos", Noticias de Arte, New York, Otono 1996, Ano XXII Numero 256, p.2, illus: cover, p.2.
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